”The truth is, that Jesus remains too disturbing a figure ever to be left to himself. Christianity in all its multifarious manifestations, Orthodox and heterodox, has been a repeated attempt to make sense of him, to cut him down to size…How oblique and how terrifying a figure he actually was in history. Terrifying, because he really does undermine everything.” — A. N. Wilson, Jesus: A Life
It is a remarkable fact, given Christianity’s 2,000 years of history, that Jesus was not a Christian nor is it at all certain that if he could walk among us in the flesh that he would know what to make of what we have made of him. Like a child’s bendable toy, Jesus can be made to assume almost any posture that we choose. And it has been pointed out innumerable times that what we make of Jesus says more about us than it does about him.
When we try to measure his effectiveness as a reformer in terms of how closely his followers adhere to his ideals, we have to admit that Plato, Aristotle, St. Augustine, St. Paul, Mohammed, and Darwin, Marx, and Freud have had a far greater direct influence on the human race.1 Even so, for a figure in history whose story has nevertheless touched billions of people, it is sobering to realize how little we know of him as a man. Millions invoke his name as a prayer or an oath and of his image there is no lack in art, music, drama, poetry, and scholarship. Bumper stickers proclaim him, from the testy, “Do you follow Jesus this close?” to the smug, “Jesus Christ is the answer” to the cloying, “Jesus is not a Republican or a Democrat. His party is the Kingdom of God.”
A. N. Wilson’s book, Jesus: A Life, quoted above, attempts to grapple with the powerful story of Jesus (Wilson calls it a “myth”), a story that cannot be fully contained by the factuality of history, but spills over in narrative and imagination. Wilson, who read history at Oxford as an undergraduate, cannot shake off his fascination with Jesus and Christianity, despite his skepticism about the divinity of Christ. He sees Jesus as ultimately a tragic figure whose attraction for us is unparalleled, and who was a Jew who only longed for faithfulness in following God. Our encounter with his story, says Wilson, arises from a careful reading of the Gospels, while knowing that they are not biographies nor are they historical accounts as we understand them.
Jesus did not fit neatly into the various strands of Jewish life and thought of his time. He was raised in Galilee, traditionally a hotbed of revolutionary activity, and included among his friends Simon the Zealot (read terrorist), a tax collector, professional fishermen, several women, and various members of the priestly ruling class. Swirling around him during that time were Pharisees, Sadducees, Samaritans, followers of John the Baptist, zealots, and the thousands of simple, often desperate, common folk. He was accused of loving his food and wine too much and of flouting the rules about Sabbath. All of this made him suspect in the eyes of the religious authorities. Yet, in the last week of his life he has dinner at the home of a prominent Pharisee and another one, Nicodemus, comes to him at night to speak with him directly.
To be a Jew in his time was not to belong to a religion set apart from political life, but to be suspended in a web of religious, historical, and cultural threads that composed a whole life. Jesus cuts across all these threads in his own way, and yet somehow appeals to people of all classes.
Greg Riley, in One Jesus, Many Christs, says “People, apparently, did not follow Jesus for his words. For all the attention given in the modern era to the sayings of the historical Jesus, his precise words seem hardly to have mattered at all.” Yet for us, the Gospels are stories about Jesus with claims to be the teachings of Jesus. Each gospel writer has reshaped the oral traditions of Jesus’ sayings and each one views Jesus from a particular perspective. Their timelines of events in Jesus’ life differ — for different reasons — and they transpose his sayings into contexts that vary considerably.
But there are enough details here and there that could not be anything but authentic because they are too specific, too unusual, too unique to be a literary fiction. The gospel writers were not writing history, but neither were they writing fiction.
“A culture tells its members stories that embody its ideals and reinforce social norms and goals,” says Riley. “We in the modern world tell ourselves consciously or unconsciously a story of success, the Horatio Alger story, that no matter what our circumstances, if we work hard and try our honest best, we will eventually climb the social ladder to wealth and status.”
There could hardly be a more definitive contrast to the lives people lived in the Greco-Roman world of the first Christians. Most people’s lives were short, subject to sudden reversals of fortune, disease-prone, and frozen in social structures that defied mobility or change. They looked to heroes, people whose physical attributes of beauty and strength and their exploits in war to win glory and honor, blurred the lines between the gods and humans. For us, Jesus was neither a conventional success nor was he close to being a hero, save in the bravery he exhibited in going to the cross. Nevertheless, for many in the first century after Christ there were cultural templates in place to regard him as just such a hero type.
Flannery O’Connor’s novel, Wise Blood, gives us Hazel Motes, the God-haunted preacher who “saw Jesus move from tree to tree in the back of his mind, a wild ragged figure motioning him to turn around and come off into the dark…” I find myself drawn to that figure too, the enigmatic Jesus who rejoices because God has hidden “these things from the wise and the intelligent and have revealed them to infants” (Luke 10:21).
So, who is Jesus for us? Who do we say Jesus is?
Jesus’ presence in my mind is like a low murmur rising at times to unspoken prayer, and then slipping back into images, questions, and memories. Every now and then I take out a book of art about Jesus, images of him in painting, sculpture, and drawing. There are black Christs, Korean Christs, Native American, Spanish, Russian, Samoan, and Filipino Christs — and many more besides. It is a visual conversation, a congress of voices that raise in praise of Christ as the embodiment of us all, God Incarnate.
I grew up with Harry Anderson’s paintings that adorned pamphlets, churches, and memory verse cards. Jesus is invariably depicted as a tall white man in robes, standing amongst a rainbow of little children, a kindly expression on his face. Later, in the sixties, as Jesus was seen as part of the counterculture, other artists depicted him as a healthy and vigorous young man, hair tousled and face sweaty, more a rock star than a man of sorrows.
Through graduate school, Jesus was an object to be studied from all angles, a being whose main effect was to stimulate several centuries of scholarship, but whose inner light and expression receded behind waves of theories and contending ideas. I didn’t lose sight of him in those days, but there was distance between us.
Jurgen Moltmann’s The Crucified God, Gustavo Gutierrez’s A Theology of Liberation, and Segundo Galilea’s Following Jesus swept away my unconscious assumptions of a middle-class and respectable Jesus. Their combined shockwave cleared my horizon about how and why he died and spun me around to face systemic evil and suffering.
Then, as I began teaching Jesus and the Gospels to first-year students, their questions forced a pause. How could Jesus help with school loans? Did he ever have an older brother who suffered through addictions? What if he had brought home a girlfriend his parents didn’t like? What if Pilate had set him free? Would he still have had to die? Gradually, we began to realize the obvious, that Jesus spoke in story rather than in precept and that the exercise of our imaginations is what would best open those stories to us.
Without question, there was much we could learn about his times from archeology and history, and there was a wealth of information about the formation of the gospels. We could reason our way through competing theories about the world-view of the gospel writers, but we could not see how radical Jesus was unless we let him lead us back to the root, the radix of God’s searing justice and love. “If you’ve seen me, you’ve seen the Father,” Jesus said. Together, we tried to imagine how that would change our lives.
If we are reading the Gospels to understand and to feel, we will sense how terrifying Jesus is, how disruptive to those who would attempt to contain him in a system. “Neither do I tell you by what authority I do these things.” As A. N. Wilson says with only slight exaggeration, “A patient and conscientious reading of the Gospels will always destroy any explanation we devise. If it makes sense it is wrong.”
Life is uncertain, a truth that may seem to some perplexing, if not heretical. What makes Christianity real for me right now is the humanity of God in Jesus, the total commitment to seeing the contingency of this world from the ground level. The pain, the weariness, the flashes of anger as well as the quick compassion, all of that is there in Jesus. His constant deflection (“Why do you call me good? Only God is good.”), his humor, irony, and hyperbole (“If you have faith the size of a mustard seed, you will say to this mountain, ‘Move!’”), and his sense of proportion (“The Sabbath was made for man, not man for the Sabbath.”) — these things speak of God’s deep plunge into His creation.
In Jesus’ very helplessness we see our own pain and fear writ large: My God, my God, why hast thou forsaken me? In Jesus’ last words from the cross, Father, into your hands I commend my spirit, we need not hear desolation and resignation. Through imagination and faith, they may become our daily thanksgiving for God’s sustaining love. Such is the wisdom of the infants.
Notes & References:
Barry Casey taught religion, philosophy, ethics, and communications for 37 years at universities in Maryland and Washington, DC. He is now retired and writing in Burtonsville, Maryland. More of the author’s writing can be found on his blog, Dante’s Woods. Email him at email@example.com.
Image: Arunas Naujokas / Unsplash.com
We invite you to join our community through conversation by commenting below. We ask that you engage in courteous and respectful discourse. You can view our full commenting policy by clicking here.
This is a companion discussion topic for the original entry at http://spectrummagazine.org/node/9404